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"I wish you wouldn't talk like that," says Mona, with a shudder. "It isn't at all nice of you; and especially when you know how miserable I am about my poor country." At this moment Geoffrey comes into the room and up to Mona. He takes no notice whatever of her companion, "Mona, will you come and sing us something?" he says, as naturally as though the room is empty. "Nolly has been telling the duchess about your voice, and she wants to hear you. Anything simple, darling,"—seeing she looks a little distressed at the idea: "you sing that sort of thing best." "To Bantry," says Mona, growing white again,—"to-night! Oh, do you want to kill me and yourself?".

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Mona pours out the tea—which is excellent—and puts in the cream—which is a thing to dream of—with a liberal hand. She smiles at Geoffrey across the sugar-bowl, and chatters to him over the big bowl of flowers that lies in the centre of the table. Not a hothouse bouquet faultlessly arranged, by any means, but a great, tender, happy, straggling bunch of flowers that seem to have fallen into their places of their own accord, regardless of coloring, and fill the room with their perfume. "Is that a compliment?" she says, wistfully. "Is it well to be unlike all the world? Yet what you say is true, no doubt. I suppose I am different from—from all the other people you know." "Let there be no talk of forgiveness between you and me," says Mona, very sweetly, after which Lady Rodney fairly gives way, and placing her arms round the kneeling girl, draws her to her bosom and kisses her tenderly. "Yes. One can understand that," replies she, gravely, not heeding the closeness of his regard. "Many things affect me curiously," she goes on, dreamily,—"sad pictures and poetry and the sound of sweet music.".